viernes, 22 de julio de 2011

UNCONDITIONAL LOVE: John Lennon and Yoko Ono. Comprehension of the Universe and the Creative Power of Unconditional Love

THE CREATIVE POWER OF UNCONDITIONAL LOVE



("For my other half of the sky"-John Lennon)


What is unconditional love? Precisely  to love  without conditions.
A simple definition, but worthy of a complex analysis.
I adhere to these other words, to further extend the concept:
"There is only one form of love: unconditional love.
Loving unconditionally is to love all there as is, without judging or criticizing, to love people as they are, without wanting to change them.
Love as you love yourself unconditionally.
All other forms are imperfect expressions of love but very human.
True love is offered freely and is not intended to be matched, is a love that lifts our energy and that of those around us and makes us happy in the here and now, whatever happens. "(Translation text for myself that whose original belongs to www.convinzioni.it)If I want to talk about people,to whom,without knowing them personally,who has influenced my thinking and my convictions, one of them is John Lennon.

Logically there is no denying that his band of origin was the impetus to become known in the entire world,his real conceptual work, he get it , when he leave from his group, with who he did not share his ideas of innovation.
This is the logical sequence in a group when one of its components, has undergone internal changes, an evolution different from the rest.
The feeling changes, the underlying motivation and also the comprehension the times,it runs through different lanes.
While it is commendable his pre-solist work, it is easy to see that the change in the creative process of John, which will go down forever in the collective memory happened after meeting Yoko Ono, an unusual woman for her time, an plastic artist with a vision profoundly complementary to him.
Recently, I had confessed, that after reading a post by a Youtube user, responding to the opinion quite aggressive with respect to the figure of Yoko Ono, by another user, who argued that she had been the cause of the separation of the Beatles and he had spoiled to John with her rares ideas, it was almost like an epiphany for me.
In defense of Yoko, this person said that to talk like, it was ignore, exactly this that it made him immortal definitely, find love, real, without limitation, the purity of the exact complement another human being
I remember these words "have you seen his videos with her, you have not carefully read the lyrics of their songs more intimate and deeper? John shone, glowed with happiness, her being was complete.
He met happiness after a life marked by neglect and the
death of beloved beings,she found everything it had in him, and he did see himself, and he died shortly after. "




If in this consumer society, everything is bought, sold, traded for money and the money symbolizes access to "power", all this that really has no real value because it is purchased for monetary units; monetary units more, monetary units less.
The real power reside in owning the wonderful wisdom to find the person who will type the exact numbers of the combination that opens the door to our mind to connect us with who we really are, and where we really belong, out of our social structures acquired, our prejudices and preconceptions, who does not scare our brilliance, or not take center stage,without implying in any way emotional dependence
As in "Mirrors of relationship",by Deepak Chopra front to others, we often accuse them instinctively to feel those feelings and to practice these attitudes that we really suppress us, in ourselves,but when the spiritual evolution has come, the understanding of the image of another it will be not ever based  in persue the unpleasant aspects, it will focus on highlighting, in showing to the other his or her full potential, to see it shine, let it be himself,let it be herself..           

Then the creative process (in any order) will break free, because the support of the love,  guarantee us that we will be successful completing of that for which we were ready, and what we will do even better, excellent, the highest expression ourselves.




Short time ago, I was living my grief over the death very early of my brother whom I joined a very special relationship, with whom we had many conversations during the course of their illness, about life and death and meaning of truly valuable in the course of a existence, when these thoughts arose in me.
After the departure(death)of my brother, I asked myself, which are the real purpose of my life for me, and..what are the objectives and what I lacked (in that moment) moreover, to achieve; and then I remembered this story.
There, for the first time, intimately, I understood everything.
The rights and wrongs I had believed until that moment the center of my life had been nothing more than anecdotes of a kid , for the first time was in front of myself, without indulgence for me, nor criticism with blame.
Had walked a labyrinth of mirrors false and that moment was breaking all that which I myself had been refusing to see.
At the same time, I must say, noblesse oblige, there, had somebody who it crossed for my life that helped to improve my insight, which appeared just in time, and with who I will be forever grateful. ("I will try to express my inner feelings and my gratitude for showing me the meaning of success"from song Woman "is all I could tell him ).
For my other half of the sky(intro)






WOMAN
Woman, I can hardly express,
My mixed emotion at my thoughtlessness,
After all I'm forever in your debt,

And, woman, I will try express,
My inner feelings and thankfullness,
For showing me the meaning of success,


Oooh well, well,
Oooh well, well,
Woman I know you understand
The little child inside the man,
Please remember my life is in your hands,
And woman hold me close to your heart,
However, distant don't keep us apart,
After all it is written in the stars,
Oh well, well, Oooh well, well..
Woman please let me explain,
I never mean(t) to cause you sorrow or pain,
So let me tell you again and again and again,
I love you now and forever,
I love you now and forever,
I love you now and forever,
I love you


I realized then that John's work was much, much beyond, that it leaves a legacy of an excellent musician and composer, was the hallmark of a Free Spirit, who had broken his emotional chains , somebody that visioned beyond that, free of all charges or weight, to express itself,at its best.
The intensity of his convictions were at the height of his love for her soulmate.
Many will say that perhaps his partner with Yoko did not suffer the wear and erosion of the routine, consequences by years and years of cohabitation, it was canceled with his death the decline of that love.
But I reply that this situation could happen is in the statistics of marriages with conventional lives and conventional spirits.
They, of course not, they were not classic and obvious ...
They will been reinvented again and again ..
According to another definition says love transcends feeling and then regarded the manifestation of a state of mind or soul, identified in some religions with God and with the force that holds the universe together.
The love between John and Yoko transcended the limits of their privacy and went to the universe around them, they decided to share it, then, using the power of their fame and global spread they began to fight (how ironic) for the peace, in those times, demanding an end to the war and military occupation in Vietnam.



But there was more, had a wider release to get and the struggle of social classes was one of the pillars of that liberation and change.
Songs like Working class hero, born of a mutual thematic within Yoko and John, and at that time, this cut .. was branded a "Bolshevik," but today his verses are understood in all its dimensions, and are current, valid after decades, so that the group "Green Day "has made a successful version in 2007
Of course, he was a visionary in his own time, warning the world about next human involution, with the face to the future ..

A working class hero 
(John Lennon)

As soon as you're born they make you feel small
By giving you no time instead of it all
Till the pain is so big you feel nothing at all
A working class hero is something to be
A working class hero is something to be

They hurt you at home and they hit you at school
They hate you if you're clever and they despise a fool
Till you're so fucking crazy you can't follow their rules
A working class hero is something to be
A working class hero is something to be

When they've tortured and scared you for twenty hard years
Then they expect you to pick a career
When you can't really function you're so full of fear
A working class hero is something to be
A working class hero is something to be

Keep you doped with religion and sex and TV
And you think you're so clever and classless and free
But you're still fucking peasants as far as I can see
A working class hero is something to be
A working class hero is something to be

There's room at the top they are telling you still
But first you must learn how to smile as you kill
If you want to be like the folks on the hill
A working class hero is something to be
A working class hero is something to be

If you want to be a hero well just follow me
If you want to be a hero well just follow me 







Power To The People
(John Lennon)

Power to the people
Power to the people
Power to the people
Power to the people
Power to the people
Power to the people
Power to the people
Power to the people, right on
 
Say we want a revolution
We better get on right away
Well you get on your feet
And on the street

Singing power to the people
Power to the people
Power to the people
Power to the people, right on

Oh, when your man is working for nothing
You better give 'em what they really own
We got to put you down
When we come into town

Singing power to the people
Power to the people
Power to the people
Power to the people, right on

I'm gonna ask you comrade and brother
How do you treat your own woman back home
She got to be herself
So she can give herself

Singing power to the people
Power to the people
Power to the people
Power to the people, right on

Imagine,is not only a popular song that Rolling Stone gives the third-best in history, is itself a compendium all ideological and synthesis of universal knowledge concepts unusual for those years if attention is paid to each subject and spiritual and social aspects of the life of John Lennon and Yoko Ono.
I read once, an opinion piece about this creation, calling it "utopian ode to goodness, musically beautiful, but with an angelical ineffectivity."
Needless to say I disagree completely with that particular vision, but I value it, in honor to the respect for freedom of expression.
I'd rather support the view from a Spanish translation of an article published on the website of World Socialism (I tried to find the original in English, but could not locate at the network): "The Socialists consider the song Imagine by John Lennon as an anthem of universal hope. A few other songs, and perhaps none so famous, have described the socialist vision as accurately and emotion (..)
Imagine
 is a humanist song, par excellence, that denies humans the place that is often ascribed to themselves in the spiritual universe and that, instead relegating them to their material and exquisitely beautiful earthly home.
Lennon does this to encourage their fellows to join in creating of a world worthy, without countries, war, religion nor private property. "
Awakening to the universal consciousness is to perceive the world and to your peers in a unique way, the own of yourself, in what is just, right and good, while ignoring the barrage of information that, it provide to you, some parallel universes and artificial paradises.
John Lennon probably already had in his luggage of life, this great understanding, but something was missing to start the chapter to put into action all that.



I always thought and believed, that the artists (art seriously professional) musicians, painters, writers and sculptors, have a sensitivity and realistic world view, stripped, stark, but they which presented with beauty and authenticity.
The merger between an artist, daughter of a concert pianist and a Japanese high society lady, with refined and exquisite education, with two previous marriages, and some bouts of depression as  Yoko Ono and a  privileged musician, deep man, with a large charisma and popularity, but from very different social class, as John Lennon, it seems exotic and there, it could stay for the superficial mold,  of a story syrupy.
There was a lot more depth in their personalities and their psyches, to be more than a fleeting passion of tabloids.
What did they have in common? Without doubt, loneliness, misunderstanding contemporary about theirs ideas, the fruitless search of complementary side into another human being, the impossibility of finding just in  time, the most searched piece of the puzzle that completes the whole picture.
And thanks to the Universe, they were found just in time, at space-time accurate.




Imagine
Imagine there's no heaven
It's easy if you try
No hell below us
Above us only sky

Imagine all the people living for today


Imagine there's no countries
It isn't hard to do
Nothing to kill or die for
And no religion too
Imagine all the people living life in peace

You, you may say
I'm a dreamer, but I'm not the only one
I hope some day you'll join us
And the world will be as one


Imagine no possessions
I wonder if you can
No need for greed or hunger
A brotherhood of man
Imagine all the people sharing all the world


You, you may say
I'm a dreamer, but I'm not the only one
I hope some day you'll join us
And the world will live as one





I conclude,  understand that both reached, at that point in their lives, perhaps without noticing its all dimention , the understanding of the universe through Unconditional Love.

Some people have told me with an incomprehensible (to me) disqualification, it was all just the product of drug use by John Lennon, or also that disbelieved in his true ideological position, or that Yoko Ono did not love him so much since rebuilt his life with one or more  lovers after his death
True or not, I can not refute or defend that point, I had not shared with them, nor their intimacy, or watched those domestic details, it have access to his private circle, for  judge them better or support this thought (consum of drug by John,or the private life of  Yoko after John) or my thoughts about unconditional love.
Without judging your opinion, I rescue from John Lennon, that he had a life with a sense of transcendence, that his profound change and his awaken the consciousness of peace and love, took shape, blossomed and bore fruit when he met Yoko Ono.

 Oh my love
 (John Lennon)
Oh my love for the first time in my life,
My eyes are wide open,
Oh my lover for the first time in my life,
My eyes can see,

I see the wind,
Oh I see the trees,
Everything is clear in my heart,
I see the clouds,
Oh I see the sky,
Everything is clear in our world,

Oh my love for the first time in my life,
My mind is wide open,
oh my lover for the first time in my life,
My mind can feel,

I feel the sorrow,
Oh I feel dreams,
Everything is clear in my heart,
Everything is clear in our world,
I feel the life,
Oh I feel love. 




At that moment his life, as a photography, there happened.
Anything else is impossible to suppose what would have happened after. Death prevented us knowing.
After all, it's just my interpretation, free of all prejudice.
The creative power of unconditional love,is for me, ladys and gentlemen, the meaning of success in the course of existence, everything else is part of the staging.
If you have the grace to find it, please,please, enjoy it and live it intensely: is a unique gift.I assure you, then you will end disquisitions, and hypotheses about “not encountered loves”or other forms of human love, valids,but infertile,credibles, but arid ,negatives loves, that will despoil you instead of contributing to your development as authentic human being, an evolution that will make your creativity and originality  contribute to human consciousness of LIFE AND TRANSCENDENCY.



Love 
(John Lennon)
Love is real 
real is love, 
love is feeling, 
feeling love, 
love is waiting 
to be love. 

Love is touch 
touch is love, 
love is reaching 
reaching love, 
love is asking 
to be love. 

Love is asking 
to be love, 
love is you, 
you and me, 
love is knowing 
we can be. 

Love is free, 
free is love, 
love is living, 
living love, 
love is needing, 
to be love. 



With all my respect to you, Sir John Lennon and his love story with Yoko Ono, the time of his life, in wich it brightened and became immortal.



JOHN LENNON
Comprehension of the Universe through Unconditional Love


A BRIEF CHOSEN BIOGRAPHY


Pop star, composer, songwriter, and recording artist, John Winston Lennon was born October 9, 1940, in Liverpool, Merseyside, NW England, UK, during a German air raid in World War II.
When he was four years old, Lennon's parents separated and he ended up living with his Aunt Mimi. John's father was a merchant seaman. He was not present at his son's birth and did not see a lot of his son when he was small.
Lennon's mother, Julia, remarried, but visited John and Mimi regularly. She taught John how to play the banjo and the piano and purchased his first guitar. John was devastated when Julia was fatally struck by a car driven by an off-duty police officer in July 1958. Her death was one of the most traumatic events in his life.
As a child, John was a prankster and he enjoyed getting in trouble. As a boy and young adult, John enjoyed drawing grotesque figures and cripples. John's school master thought that he could go to an art school for college, since he did not get good grades in school, but had artistic talent.
At sixteen, Elvis Presley's explosion onto the rock music scene inspired John to create the skiffle band called the "Quarry Men," named after his school. Lennon met Paul McCartney at a church fete on July 6, 1957. John soon invited Paul to join the group and they eventually formed the most successful songwriting partnership in musical history.
McCartney introduced George Harrison to Lennon the following year and he and art college buddy Stuart Sutcliffe also joined Lennon's band. Always in need of a drummer, the group finally settled on Pete Best in 1960.
The first recording they made was Buddy Holly's That'll be the Day in mid-1958. In fact, it was Holly's group, the Crickets, that inspired the band to change its name. John would later joke that he had a vision when he was 12 years old—a man appeared on a flaming pie and said unto them "from this day on you are Beatles with an 'A.'"
The Beatles were discovered by Brian Epstein in 1961 at the Cavern Club, where they were performing on a regular basis. As their new manager, Epstein secured a record contract with EMI. With a new drummer, Ringo Starr (Richard Starkey), and George Martin as producer, the group released their first single, Love Me Do in October 1962. It peaked on the British charts at number 17.
Lennon wrote the group's follow-up single, Please Please Me, inspired primarily by Roy Orbison but also fed by John's infatuation with the pun in Bing Crosby's famous "Please, lend your little ears to my please." The song topped the charts in Britain. The Beatles went on to become the most popular band in Britain with the release mega-hits likeShe Loves You and I Want To Hold Your Hand.
In 1964, The Beatles became the first band to break out big in the United States, beginning with their appearance on TV's The Ed Sullivan Show on February 9, 1964. Beatlemania launched a "British Invasion"' of rock bands into the U.S., which included The Rolling Stones and The Kinks. After 'Sullivan,' The Beatles returned to Britain to film their first movie, A Hard Day's Night and prepare for their first world tour.
The Beatles followed up with their second movie Help! in 1965. In June, the Queen of England had announced that the Beatles would be awarded the MBE (Member of the Order of the British Empire). In August, they performed to 55,600 fans at New York's Shea Stadium, setting a record for largest concert audience. When they returned to England, they recorded the breakthrough album Rubber Soul, which extended beyond love songs and pop formulas.
The magic of Beatlemania had started to lose its appeal by 1966. The group's lives were put in danger when they were accused of snubbing the presidential family in the Philippines. Then, Lennon's remark that "we're more popular than Jesus now" incited denunciations and Beatles record bonfires in the U.S. bible belt. The Beatles gave up touring after an August 29, 1966, concert at San Francisco's Candlestick Park.
After an extended break, the band returned to the studio to expand their experimental with drug-influenced exotic instrumentation/lyrics and tape abstractions. The first sample was the singlePenny Lane/Strawberry Fields Forever, followed up by Sgt. Pepper's Lonely Hearts Club Band, still considered by many to be the greatest rock album ever.
The Beatles then suffered a huge blow when Epstein died of an accidental overdose of sleeping pills on August 27, 1967. Shaken by Epstein's death, the Beatles retrenched under McCartney's leadership in the fall and filmed Magical Mystery Tour. While the film was panned by critics, the soundtrack album contained Lennon's I Am The Walrus, their most cryptic work yet.
After the Magical Mystery Tour film failed, the Beatles retreated into Transcendental Meditation and the Maharishi Mahesh Yogi, which took them to India for two months in early 1968. Their next effort, Apple Corps Ltd. was plagued by mismanagement. In July, the group faced its last hysterical crowds at the premiere of their film Yellow Submarine. In November, their double-album The Beatles (frequently called the White Album) showed their divergent directions.
Lennon had married Cynthia Powell in August 1962 and they had a son together who they called Julian, named after John's mother. Cynthia had to keep a very low profile during Beatlemania. They divorced in 1968 and he re-married Japanese avant-garde artist Yoko Ono, whom he had met at the Indica Gallery in November 1966.




John and Yoko's artist partnership began to cause further tensions within the group.



Together they invented a form of peace protest by staying in bed while being filmed and interviewed.



Then ,the single recorded under the name of The Plastic Ono Band, Give Peace a Chance (1969), became the national anthem for pacifists.





Lennon left The Beatles in September 1969, just after the group completed recording Abbey Road. The news of the breakup was kept secret until McCartney announced his departure in April 1970, a month before the band released Let It Be, recorded just before Abbey Road.





After the Beatles broke up, Lennon released Plastic Ono Band, with a raw, minimalist sound that followed "primal-scream" therapy. In 1971, he followed up with Imagine, the most commercially successful and critically acclaimed of all John Lennon's post-Beatles efforts. The title track was later listed as the third all-time best song by Rolling Stone magazine.
Peace and love, however, was not always on Lennon's agenda. Imaginealso included the track How Do You Sleep?, a nasty response to veiled messages at Lennon in some of McCartney's solo recordings. Later, the former songwriting duo buried the hatchet, but never formally worked together again.
Lennon and Ono moved to the U.S. in September 1971, but were constantly threatened with deportation by the Nixon administration. Lennon was told he was being kicked out of the country because of his 1968 marijuana conviction in Britain.
But Lennon believed the true reason was his activism against the unpopular Vietnam War.  Documents later proved him correct. 


Two years after Nixon resigned, Lennon was granted permanent U.S. residency in 1976.
In 1972, Lennon performed at Madison Square Garden to benefit mentally handicapped children and continued to promote peace while battling to stay in the U.S.
That immigration battle took a toll on the Lennon's marriage and in the fall of 1973, they separated. John went to Los Angeles, where he partied and took a mistress, May Pang. He still managed to release hit albums, such as Mind Games, Walls and Bridges and Rock and Roll and collaborate with David Bowie and Elton John.

Mind Games
We're playing those mind games together,
Pushing barriers, planting seeds,
Playing the mind guerilla,
Chanting the Mantra peace on earth,
We all been playing mind games forever,
Some kinda druid dudes lifting the veil.
Doing the mind guerilla,
Some call it the search for the grail,
Love is the answer and you know that for sure,
Love is flower you got to let it, you got to let it grow,
So keep on playing those mind games together,
Faith in the future outta the now,
You just can't beat on those mind guerillas,
Absolute elsewhere in the stones of your mind,
Yeah we're playing those mind games forever,
Projecting our images in space and in time,
Yes is the answer and you know that for sure,
Yes is the surrender you got to let it, you got to let it go,
So keep on playing those mind games together,
Doing the ritual dance inn the sun,
Millions of mind guerrillas,
Putting their soul power to the karmic wheel,
Keep on playing those mind games forever,
Raising the spirit of peace and love, not war,
(I want you to make love, not war, I know you've heard it before)
In the end, Lennon realized he really loved Yoko and he could not live without her.
But before, he dedicate her, "Stand by me" a beautiful song like a plea of love..

They reconciled ...And she gave birth to their only child, Sean, on Lennon's 35th birthday.
John decided to leave the music business to raise his son and become a house husband.




Grow old with me
(John Lennon)
Grow old along with me
The best is yet to be
When our time has come
We will be as one
God bless our love
God bless our love

Grow old along with me
Two branches of one tree
Face the setting sun
When the day is done
God bless our love
God bless our love

Spending our lives together
Man and wife together
World without end
World without end

Grow old along with me
Whatever fate decrees
We will see it through
For our love is true
God bless our love
God bless our love 


The song was inspired from two different sources: from a poem penned by Robert Browning, entitled Rabbi Ben Ezra, and a song by Lennon's wife, Yoko Ono, entitled "Let Me Count the Ways" (which in turn had been inspired from a poem by Elizabeth Barrett Browning).
Lennon and Ono had for some time admired the poetry of Robert and Elizabeth Browning, and the two songs were purposely written with the couple in mind.
Ono woke up one morning in the summer of 1980 with the music of "Let Me Count the Ways" in her head and promptly rang Lennon in Bermuda to play it for him. Lennon loved the song and Ono then suggested to him that he should write a Robert Browning piece to accompany it. That afternoon, John was watching TV when a film came on which had the poem "Rabbi Ben Ezra" by Robert Browning in it. Inspired by this turn of events, Lennon wrote "Grow Old With Me" as an answer to Ono's song, and rang her back to play it to her over the phone
In 1980, Lennon returned to the music world with the album Double Fantasy, featuring the hit single (Just Like) Starting Over.
 

 (Just)Starting over
(John Lennon)
Our life together is so precious together
We have grown, we have grown
Although our love is still special
Let's take a chance and fly away somewhere alone

It's been too long since we took the time
No-one's to blame, I know time flies so quickly
But when I see you darling
It's like we both are falling in love again
It'll be just like starting over, starting over

Everyday we used to make it love
Why can't we be making love nice and easy
It's time to spread our wings and fly
Don't let another day go by my love
It'll be just like starting over, starting over

Why don't we take off alone
Take a trip somewhere far, far away
We'll be together all alone again
Like we used to in the early days
Well, well, well darling

It's been too long since we took the time
No-one's to blame, I know time flies so quickly
But when I see you darling
It's like we both are falling in love again
It'll be just like starting over, starting over

Our life together is so precious together
We have grown, we have grown
Although our love is still special
Let's take a chance and fly away somewhere 


 

Unfortunately, just a few weeks after its release, Lennon was shot by a deranged fan in front of his apartment complex in New York.
Lennon died of the age of 40 at the Roosevelt Hospital on December 8, 1980, after receiving multiple gun shots in the back.

His death affected millions of people, record sales soared, and he continues to be admired by new generations of fans.



Only they(the Lady and Lord) know why they asked me: "You must do a memorial,about love and peace,no more hate, for John,and you must take a photo of yourself at the site where is the cartel" and I did...something: at least I wrote about  great strenght of love..

No eres lo que el mundo pien­sa de ti - Una parábola sobre identidad y autoconocimiento( sobre Textos de" Más allá de la Psicología"por Osho)

No eres lo que el mundo pien­sa de tiUna parábola sobre identidad y autoconocimiento(Textos de Osho del libro "Más allá de la psicología")



No eres tú el que te has alejado demasiado, son ellos los que han ido demasiado lejos, y han estado alejándose durante millones de años.
La distancia entre el hombre real y hombre tal como existe en el mundo, se ha hecho casi insalvable.
Están tan alejados de su propia realidad que han olvidado el camino de vuelta.
Han olvidado cuál era su propósito al venir aquí.
Hay una antigua parábola... Un rey muy sabio quería que su hijo su único hijo y sucesor fuera también muy sabio antes de sucederle y convertirse en rey de su vasto reino. El anciano eligió un camino muy extraño: Envió a su hijo lejos del reino, le dijo que le abandonaba, que debía olvidar completamente que era un príncipe. «Ya no es un príncipe y no voy a hacerle mi sucesor.»

Le fue arrebatado todo, sus hermosos ropajes, sus ornamentos...; le dieron las ropas de un mendigo y de noche le metieron en un carruaje para expulsarle del reino.Había órdenes estrictas de no permitir su regreso al reino bajo ningún concepto.

Pasaron los años; el príncipe se convirtió en un verdadero mendigo y olvidó que había sido príncipe.">De hecho no tuvo que hacer esfuerzos para olvidar, porque era un mendigo.Pedía ropa, alimento, abrigo y había ido aceptando lentamente la condición en la que se encontraba.

Después de muchos años, un día estaba sentado a la puerta de un hotel, pidiendo.
Era pleno verano y quería conseguir suficiente dinero para comprarse un par de zapatos de segunda mano, por supuesto ­porque la tierra le quemaba como el fuego y caminar sin zapatos era imposible.

Tenía heridas en los pies y tan sólo pedía que le dieran unas cuantas monedas.

En aquel mismo momento un gran carro dorado se detuvo delante del hotel y descendió de él un hombre que le dijo: «Tu padre te llama para que regreses.

Es muy anciano, casi está muriendo y desea que seas su sucesor.»
En un segundo el mendigo desapareció.
Aquel hombre cambió completamente; se podía ver en su cara, en sus ojos... las ropas seguían siendo las de un mendigo, pero el hombre era totalmente distinto.
Se reunió a su alrededor una gran multitud -la misma multitud ante la que había estado poniendo la mano para recibir unas monedas- y todos comenzaron a mostrarle su gran amistad.
Pero él ni siquiera les presta­ba atención.
Subió al carro, se sentó en él y dijo al hombre que había venido a buscarle: «En primer lugar llévame a un lugar hermoso donde pueda darme un buen baño, encontrar ropa adecuada a mi condición, zapatos y ornamentos, porque sólo como príncipe puedo presentarme ante el rey.»
Volvió a casa y lo hizo como príncipe.
Dijo a su padre: «Sólo quiero preguntarte una cosa: ¿Por qué he tenido que mendigar durante tantos años?
Realmente me había olvidado... Si no me hubieras pedido que re­gresara, habría muerto como un mendigo, sin recordar jamás que había sido un príncipe.»
El padre dijo: «Es lo que mi padre hizo conmigo. No lo hice para hacerte daño, sino para que pudieras experimentar los extremos de la vida: el mendigo y el rey.
Y todo el mundo existe entre estos extremos.
Aquel día te dije que olvidaras que eras un príncipe; ahora quiero decirte que ser príncipe o mendigo son sólo identidades que nos dan los demás.
No es tu realidad, no eres tú: no eres el príncipe ni el mendigo.
En el momento que te das cuenta de que no eres lo que el mundo pien­sa de ti, no eres lo que pareces ser sino algo tan profundamente escon­dido dentro de ti que nadie excepto tú puede verlo, entonces es cuando un hombre se hace sabio.
De este conocimiento procede la sabiduría.
Yo me sentí enfadado con mi padre y sé que tú debes sentirte enfa­dado conmigo.
Pero perdóname porque tenía que dejarte una cosa clara: no te identifiques con ser rey, no te identifiques con ser mendigo, por­que estas identidades pueden cambiar en un momento. Y aquello que puede cambiarse no eres tú. Tú eres algo eterno, inmutable.»
La gente se ha alejado mucho de su realidad y el hecho de recor­dársela les hace sufrir.
El tratamiento que me han dado no es más que una expresión de su corazón herido.
No quieren ver sus heridas; no quieren que se les recuerde lo que han tratado de olvidar y perdonar con tanto esfuerzo.
De alguna forma se las han arreglado para crearse una identidad en el mundo..., y aparece un hombre que la destroza completamente.
Es na­tural que se enfaden conmigo.
Es natural que quieran lapidarme.
Es natural que quieran hacerme todo lo que siempre han hecho con la gente como yo.
Eso no quiere decir que pierdas la esperanza, que te sientas pesi­mista, que dejes incluso de hablar de mí.
De esa forma no les ayudas ni te ayudas a ti mismo.
No debes tener en cuenta su comportamiento en absoluto.
Están completamente dormidos.
Estamos intentando hacer algo que no les deja dormir, y naturalmente se sienten alterados y reaccionan.
Esto es totalmente aceptable.
¿Pero durante cuánto tiempo van a reaccionar?
Esta cuestión plantea un gran desafío.
Si pierdes la esperanza has perdido el juego.
Yo no voy a perder el juego.
Yo seguiré haciendo lo mismo hasta mi último aliento, sea cual sea su reacción.
Sólo trayendo su reacción a la superficie existe una posibi­lidad de cambio.
Pero es algo que tomará tiempo porque durante miles de años han estado alejados de sí mismos.
Debes tener paciencia con ellos porque ellos necesitan tu compasión, necesitan tu paciencia.
Vendrán a casa; quieren venir a casa, pero admitir que aún no están en casa contraría su ego.
De la misma forma que va contra su ego reconocer que son falsos, que son farsantes.
Pero su misma reacción: tirarme piedras, cuchillos, encarcelarme o crucificarme, les va a hacer cambiar.
Ésa es la única manera que tienen de empezar a pensar en lo que están haciendo y en por qué se sienten ofendidos.
Sólo te sientes ofendido cuando se dice una verdad, algo que has estado ocultando.
Nunca ofenden las mentiras.
La verdad es la mayor ofensa.
(Textos de Osho del libro "Más allá de la psicología")

SIGNIFICADO DE LA TÉCNICA DE LA RESPIRACION SOBRE LAS EMOCIONES-(Sobre Textos de Osho)

SIGNIFICADO DE LA TÉCNICA DE LA RESPIRACIÓN SOBRE LAS EMOCIONES(Sobre textos de Osho)





El cuerpo es un grandioso dispositivo mecáni­co; el más grandioso. 
Tienes millones y millones de células, y cada una de ellas está viva. 
De modo que eres una gran ciudad de unos sesenta trillones de células; hay aproximadamente sesenta trillones de ciudadanos dentro de ti, y la ciudad entera funciona muy silenciosamente, sin problemas. 
Es muy complicado. 
Estas técnicas se relacionarán con muchos puntos del mecanismo de tu cuerpo y el mecanismo de tu mente. 
Pero el énfasis recaerá siempre en esos puntos en los que de pronto no formas parte del mecanismo; recuerda esto. 
De pronto no formas parte del mecanismo. 
Hay mo­mentos en los que cambias de marcha.
Por ejemplo, por la noche, cuando te duermes, cambias de marcha, porque durante el día necesi­tas un mecanismo diferente para la consciencia de estar despierto; funciona una parte diferente de la mente. 
Luego te duermes, y esa parte deja de funcionar. 
Otra parte de la mente comienza a funcio­nar, y hay una pausa, un intervalo, un giro. Hay un cambio de marcha. 
Por la mañana, cuando te estás levantando de nuevo, se cambia de marcha. 
Estás sentado en silencio, y de repente alguien dice algo y te enfadas; entras en una marcha diferente. 
Es por eso que todo cambia.
Si te enfadas, tu respiración cambiará de re­pente. 
Tu respiración se volverá irritada, caótica. 
Habrá un temblor en tu respiración; te sentirás so­focado.
Todo tu cuerpo querría hacer algo, romper algo en pedazos; sólo así puede desaparecer el sofoco. 
Tu respiración cambiará; tu sangre adoptará un ritmo diferente, un movimiento diferente. Sus­tancias químicas diferentes tendrán que ser segre­gadas en tu cuerpo; todo el sistema glandular ten­drá que cambiar. 
Te vuelves un hombre diferente cuando estás enfadado.
Hay un coche parado... 
Tú lo arrancas. 
No pongas ninguna marcha; déjalo en punto muerto. 
Dará tirones, vibrará, temblará, pero no se puede mover; se calentará. 
Por eso, cuando estás enfada­do y no puedes hacer nada, te calientas.
El meca­nismo está listo para correr y hacer algo, y tú no lo estás haciendo: te calentarás. Eres un mecanismo, pero, por supuesto, no sólo un mecanismo.  
Eres más, pero el «más» hay que encontrarlo.  
Cuando entras en alguna marcha, todo cambia en tu inte­rior.
Cuando cambias de marcha, hay un giro.
¿Por qué son tan importantes estos giros? 
Son importantes porque, al girar,la respiración deja que vayas en una dirección diferente. 
Estaba con­tigo cuando entraba; estará de nuevo contigo cuan­do salga.
Pero en el momento del giro no está contigo y tú no estás con ella. 
En ese momento, la respiración es diferente a ti, y tú eres diferente a ella: si la respiración es vida, entonces estás muer­to; si respirar es tu cuerpo, entonces eres no-cuer­po *; si respirar es tu mente, entonces estás sin mente... en ese momento
Me pregunto si lo has observado o no: si paras tu respiración, la mente se para de repente. 
Si pa­ras tu respiración ahora mismo, tu mente se parará de pronto; la mente no puede funcionar. 
Una inte­rrupción repentina de la respiración, y la mente se para. 
¿Por qué? 
Porque están separadas. 
Sólo la respiración en movimiento está unida a la mente, al cuerpo; una respiración inmóvil está separada. 
Entonces estás en punto muerto. 
El coche está funcionando, está arrancado, el coche está hacien­do ruido -está listo para avanzar-, pero no tiene metida ninguna marcha, de modo que la carroce­ría del coche y el mecanismo del coche no están unidos. 
El coche está dividido en dos. Está listo para moverse, pero el mecanismo del movimiento no está unido a él.  
Lo mismo sucede cuando la respiración da un giro. 
No estás unido a ella. 
En ese momento, pue­des tomar conciencia fácilmente de quién eres. 
¿Qué es este ser? 
¿Qué es ser? 
¿Quién está dentro de esta casa del cuerpo? 
¿Quién es el amo de la casa? 
¿Soy sólo la casa, o hay también un amo? 
¿Soy sólo el mecanismo, o alguna otra cosa per­mea también este mecanismo?  
En ese intervalo de giro,date cuenta, sé consciente. 
Dice que simple­mente seas consciente del momento de giro, y te conviertes en un alma realizada.
Sé consciente del momento del cambio.
Pero es un momento muy corto; será necesaria una ob­servación muy minuciosa. 
Y no tenemos ninguna capacidad de observación; no podemos observar nada.

Estamos divididos en el centro y la periferia. 
El cuerpo es la periferia; conocemos el cuerpo, conocemos la periferia. 
Conocemos la circunfe­rencia, pero no sabemos dónde está el centro.
Cuando la inspiración se fusiona con la espira­ción, cuando se hacen una, cuando no puedes decir si se trata de la inspiración o de la espiración..., cuando es difícil determinar y definir si la respira­ción está saliendo o entrando, cuando la respiración ha entrado y comienza a salir, hay un momento de fusión. 
No está ni saliendo ni entrando. 
La respi­ración se halla estática. 
Cuando está saliendo es dinámica; cuando está entrando es estática. 
Cuan­do no está haciendo ninguna de las dos cosas, cuando está silenciosa, inmóvil, estás cerca del centro.  
El punto de fusión de la inspiración y la espiración es tu centro. 
Considéralo de esta manera: cuando la respira­ción entra, ¿adónde va? 
Va a tu centro, toca tu centro. 
Cuando sale, ¿de dónde sale? 
Sale de tu cen­tro. 
Tu centro ha sido tocado.
Por eso los místicos taoístas y los místicos Zen dicen que la cabeza no es el centro; el ombligo es tu centro. 
La respira­ción va al ombligo, y luego sale. 
Va al centro.


Como dije, hay un puente entre tú y tu cuerpo. 
Conoces el cuerpo, pero no sabes dónde está tu centro.  
La respiración está yendo constantemente al centro y saliendo, pero no estás tomando sufi­ciente aliento. 
Por eso normalmente no va real­mente al centro; ahora, al menos, no está yendo al centro. 
Es por eso por lo que todo el mundo se siente «descentrado». 
En todo el mundo moderno, los que pueden pensar notan que no están dando en su centro.
Observa a un niño durmiendo, observa su res­piración. 


La respiración entra; el abdomen se hin­cha. 
La respiración no afecta al pecho. 
Por eso es que los niños no tienen pecho, sólo abdomen; un abdomen muy dinámico. La respiración entra y el ab­domen se hincha; la respiración sale y el abdomen se deshincha; el abdomen se mueve. 
Los niños es­tán en su centro. 
Por eso son tan felices, tan llenos de gozo, tan llenos de energía, jamás cansados; re­bosantes, y siempre en el momento presente, sin pasado ni futuro.

Un niño se puede enfadar. 
Cuando está enfada­do, se encuentra totalmente enfadado; se convier­te en la ira. 
Entonces su ira también es bella. 
Cuando uno está totalmente enfadado, la ira tiene una belleza propia, porque la totalidad siempre tiene belleza.

Tú no puedes estar enfadado y ser bello; te vuelves feo, porque la parcialidad siempre es fea y no sólo con la ira. 
Cuando amas eres feo por­que, de nuevo, eres parcial, fragmentario; no eres total. 
Observa tu cara cuando estés amando a al­guien, haciendo el amor. 
Haz el amor ante un es­pejo y observa tu cara: será fea, como de animal. 
En el amor tu cara también se vuelve fea. ¿Por qué? 
El amor también es un conflicto, estás refre­nando algo. 
Estás dando muy avaramente. 
Ni si­quiera en el amor eres total; no das completamen­te, totalmente.
Un niño es total incluso en la ira y la violencia. 
Su cara se vuelve radiante y bella; está aquí y aho­ra. 
Su ira no es algo que se preocupa por el pasado o algo que se preocupa por el futuro; no está cal­culando, está simplemente enfadado. 
El niño está en su centro.Cuando estás en tu centro, siempre eres total. 
Hagas lo que hagas, será un acto total; bueno o malo, será total. 
Cuando eres fragmenta­rio, cuando estás fuera de tu centro, cada uno de tus actos está abocado a ser un fragmento de ti mismo. 
u totalidad no está respondiendo; sólo una parte, y la parte está yendo en contra del todo: eso crea fealdad.

Todos fuimos niños.
¿Por qué cuando crecemos nuestra respiración sé vuelve superficial? 
Nunca va al abdomen; nunca toca el ombligo. 
Si pudiera ba­jar más y más, se volvería menos y menos superficial, pero toca sólo el pecho y sale. 
Nunca va al centro. 
Tienes miedo del centro, porque si vas al cen­tro te volverás total. 
Si quieres ser fragmentario, éste es el mecanismo para ser fragmentario. 
Tienes miedo. 
Tienes miedo a ser tan vulnerable, tan abierto a alguien, a quien sea. 
Puede que lo llames tu amante, puede que la llames tu amada, pero tienes miedo. 
La otra persona está ahí. 
Si eres totalmente vulnerable, abierto, no sabes lo que va a pasar.
Entonces eres completamente, en otro sentido. 
Tienes miedo a darte tan completa­mente a alguien. 
No puedes respirar; no puedes res­pirar hondo. 
o puedes relajar tu respiración para que vaya al centro; porque en cuanto la respiración va al centro, tus actos se vuelven totales.
Como te asusta ser total, respiras superficial­mente. 
Respiras de modo mínimo, no de modo máximo. 
Por eso la vida parece tan sin vida.  
Si es­tás respirando de modo mínimo, la vida se volverá sin vida; estás viviendo en grado mínimo, no má­ximo. 
Puedes vivir al máximo: entonces la vida es desbordante. 
Pero entonces habrá dificultades. 
No puedes ser un marido, no puedes ser una esposa, si la vida es desbordante. 
Todo se volverá difícil.
Si la vida es desbordante, el amor será desbor­dante. 
Entonces no te puedes atar a uno. 
Entonces estarás fluyendo por todas partes; llenarás todas las dimensiones. 
Y entonces la mente advierte pe­ligro, de modo que es mejor no estar vivo. 
Cuanto más muerto estás, más seguro estás. 
Cuanto más muerto estás, más está todo bajo control.
Puedes controlar; entonces sigues siendo el amo. 
Te sien­tes el amo porque puedes controlar. 
Puedes controlar tu ira, puedes controlar tu amor, puedes controlarlo todo. 
Pero este control sólo es posible en el grado mínimo de tu energía.

Todo el mundo debe de haber sentido alguna vez que hay momentos en los que, de pronto, se cambia del grado mínimo al máximo. 
Vas a un pa­raje de montaña. 
De pronto estás fuera de la ciu­dad y de su prisión. 
Te sientes libre. 
El cielo es in­menso, y el bosque es verde, y la cumbre toca las nubes. 
De repente respiras profundamente. 
Puede que no lo hayas observado. ­

Si vas a un paraje de montaña, observa. 
En rea­lidad, no es el paraje de montaña lo que produce el cambio. 
Es tu respiración. 
Aspiras profundamente. 
Dices: «¡Ah! ¡Ah!» Tocas el centro, te vuelves to­tal por un momento, y todo es dicha. Esa dicha no proviene del paraje de montaña, esa dicha provie­ne de tu centro: lo has tocado de pronto.

En la ciudad tenías miedo. 
Allí por todas par­tes estaban presentes otros, y te estabas controlando. 
No podías gritar, no podías reír. 
¡Qué pena! 
No podías cantar y bailar en la calle. 
Tenías mie­do: había algún policía cerca, a la vuelta de la es­quina, o el sacerdote o el juez o el político o el moralista.
Había alguien a la vuelta de la esquina, así que no podías bailar en la calle.

Bertrand Russell ha dicho en alguna parte: «Amo la civilización, pero hemos logrado la civi­lización a un precio muy alto.» No puedes bailar en la calle, pero puedes ir a un paraje de montaña y, de repente, bailar. Estás sólo con el cielo, y el cielo no es una prisión. Es sólo apertura, apertura y apertura: inmenso, infinito. De pronto, respiras profundamente, la respiración toca tu centro y sobreviene la dicha. Pero no dura mucho. En una hora o dos, el paraje de montaña desaparecerá. Puede que estés allí, pero el paraje de montaña desaparecerá.

Volverán tus preocupaciones. Empezarás a pensar en llamar a la ciudad, en escribir una carta a tu pareja, o empezarás a pensar que, como vas a volver dentro de tres días, deberías hacer prepara­tivos. Acabas de llegar y ya estás haciendo prepa­rativos. Has vuelto.

En realidad, tu respiración no tenía que ver contigo; sucedió de repente. Debido al cambio de situación, la marcha cambió. Estabas en una nue­va situación, no podías respirar como antes, así que, por un momento, hubo una nueva respira­ción. Tocó el centro, y sentiste la dicha.




Respira profunda, lentamente. 
Toca el cen­tro; no respires desde el pecho: ése es uno de los trucos.

("El libro de los Secretos"-Vol I-Osho)

jueves, 21 de julio de 2011

TRABAJANDO LA ENVIDIA- Notas compiladas por Ven. Sangye Khadro de varias enseñanzas de la tradición Budista Tibetana

TRABAJANDO LA ENVIDIA Notas compiladas por Ven. Sangye Khadro de varias enseñanzas de la tradición Budista Tibetana





¿Qué es la envidia?


La envidia es un factor mental que, debido al apego a los logros materiales, al respeto,etc., es incapaz de soportar las cosas buenas que tienen los otros. 







¿Qué hay de equivocado en la envidia? 




- Perturba nuestra mente, nos hace sentir infelices y pueden conducirnos al odio y al resentimiento
- Puede destruir relaciones
- Puede llevarnos a calumniar o a hablar mal de los demás o incluso hacerles daño
- Los demás perderán su respeto por nosotros y sentirán lastima o no les gustaremos
- Nos lleva a crear karma negativo y como tal a experimentar sufrimiento en el futuro
- Destruye nuestra virtud y las cosas buenas que tenemos
- Es un obstáculo para el desarrollo espiritual y para nuestro último logro de liberación y de Iluminación. 


ANTÍDOTOS PARA LA ENVIDIA




1) Reflexiona en que la envidia sólo nos produce daño ,por ejemplo, nos sentimos miserables mientras que todos los demás se sienten felices.
2)
Recuerda el karma,como la ley de causa y efecto.
Todo sucede por causas y condiciones y en consecuencia si alguien tiene algo y tú no lo tienes es porque el otro creó las causas y tú no lo has hecho. Pero puedes empezar ya mismo a crear las causas para tener dicha cosa en el futuro.
3) Practica el regocijo
Sentirse feliz y sentir admiración por las virtudes, las buenas acciones, buenas cualidades y felicidad de los otros. Haciendo esto, nuestra mente estará feliz y creamos gran cantidad de mérito o virtud.
4) Si la envidia la sientes por cosas como riqueza, inteligencia, poder, posición, figuras atractivas, etc., entonces pregúntate: "¿Si yo tuviese éstos, sería de verdad feliz? ¿Durarán para siempre y puedo fiarme en ellos? Aprende a estar satisfecho con lo que tienes y con tu ser tal como es.
5) Cultiva la bondad amorosa.
La bondad amorosa es querer que los otros sean felices. Si con sinceridad podemos generar este sentimiento entonces nos sentiremos muy felices y no envidiosos cuando alguien vive algo que es bueno.
6) Cuando la envidia surge en una relación
Por ejemplo, tu amigo o tu amado está dándole atención o dedicándole tiempo a
alguien más. Es mejor que traten de hablarlo, ¡pero sin rabia! Puede ser que exista un problema oculto (la otra persona podría estar furiosa contigo por algo que hiciste y se comporta de esta manera para quedar a la par). Trata de resolver el problema con una sincera comunicación de corazón a corazón.